How did ecology become a theme for you?
Very early on. My American father was very anti-hunting and by the age of 15 I was already a vegetarian. After studying art and a year spent in Shanghai with its severe pollution, I decided to study horticultural landscaping. This was the beginning of long and continuous training, both in France and the United States, in permaculture, soil regeneration, and herbalism, all of which permeates my artistic work. Through my historical research on representations of the landscape, I understood that the domination of nature and women are two parallels, which also led me to ecofeminism, and politics. I am developing the artistic project New Ministry of Agriculture with the artist Stéphanie Sagot in order to denounce current agricultural policies.
What about your next project(s)?
I will be part of the collective exhibition The Penumbral Age: art in the time of Planetary Change, running from 20 March at the Museum of Modern Art in Warsaw. I am also thinking about a piece on biodiversity for the next Anglet-Côte Basque International Contemporary Art Biennial (La Littorale). I have also just received a grant to do mythological and scientific research on plants, with the environmentalist activist Starhawk. Furthermore, if our team is successful in the municipal elections, we’ll have a whole local food system to set up!
Find all the articles from Letter #16 — February 2020