Impact Art News is a French-English bilingual bimonthly online magazine on contemporary art and the environment.
Since April 2018, Impact Art News has selected, interviewed and supported artists, exhibitions and projects related to ecology and the Sustainable Development Goals (SDGs).
Editorial team: Alice Audouin, Aloïs Loizeau, Juliette Soulez, Lucia Longhi, Pauline Lisowski, Stefano Vendramin
Newsletter management and online publication: Pauline Lisowski, Aloïs Loizeau, Elisabeth Mbeng
Translators: Juliette Soulez, Stefano Vendramin, Eva Radek
Publisher: Art of Change 21
Director of Publication: Alice Audouin
Former editor from April 2018 to December 2019 : Alice Audouin Consulting
Thank you to those who contributed to the letter Oscar Bardet (January – December 2023), Hélène Geber (January 2021 – September 2023), Marie Leprêtre (September – December 2020), Lisa Toubas (January 2019 – June 2020), Marguerite Courtel (April – December 2018).
Art of Change 21 warmly thanks Maison Guerlain for its support.
Trend: The New Druids
A new generation of artists committed to the environment is emerging in France. Our editorial team proposes to explore four major trends within this young committed scene, from the 21 winners of the Planète Art [...]
In France, a new generation of environmentally engaged artists
Impact Art News offers a special issue on young artists involved in the environment, living in France. It celebrates an emerging wave of hundreds of artists, bearers of new relationships and visions of art, life, [...]
In Italy, the wild Renaissance
In Italy, since mid-May, a new renaissance has emerged, where artists and architects are drawing new perspectives and inventing new possibilities in response to the ecological crisis. Far from seeking a new measurement of man, [...]
Attempts to replace an anthropocentric culture
Urgency to preserve our common goods, a critical look at history and its heritage, futuristic scenarios integrating all living things; the international artistic community opens as many doors as necessary to find a new way [...]
Dolomiti Contemporanee by Gianluca D’Inca Levis
Founded in 2011 by Gianluca D'incà Levis, the living art laboratory of the Dolomiti Contemporanee landscape - located in the Dolomites region in Veneto - aims to regenerate the heritage of the Italian mountains. This [...]
In conversation with the artist Tiphaine Calmettes
When did ecology first come into your work? At the School of Fine Arts in Bourges, I worked on brutalist, post-industrial architecture; then I made a study trip to Mongolia which connected me to the [...]
Put an end to waste in culture
Ki Culture, based in the Netherlands, is an exciting new player identifying the link between culture and sustainability. Under the impetus of its founder Caitlin Southwick, whom we interviewed (on our IGTV), Ki Culture is [...]
“Crocus Sativus Flower of happiness” by Guillaume Barth
The preciosity of the crocus flower is at the heart of the Crocus Sativus Fleur du bonheur project by young French artist Guillaume Barth, which combines poetry, botany and mysticism. Barth’s interest in the saffron crocus [...]
Art in the open air
Despite a troubled period which placed many exhibitions under threat, a wind of optimism is now blowing with the arrival of spring, with exhibitions and artistic tours taking place in the open air. Art takes [...]
Is the end nigh for MDF board?
It’s everywhere, big and small, in exhibitions and art fairs, homes and offices: "Medium Density Fiberboard (MDF) used in a raw dry environment", otherwise known simply in France as medium. But what is the lifecycle [...]
The forest, branching out as an exhibition theme
The forest is now emerging as an exhibition theme in its own right in the field of contemporary art, and is no longer just in natural history museums. Last year, the Fondation Cartier in Paris [...]
Which wood certification to trust: PEFC or FSC?
FSC (Forest Stewardship Council) and PEFC (Program of the Endorsement of Forest Certification) are the two main wood certifiers. They address forest management, the traceability of wood processing, and the social dimension of workers. According [...]